The full debut for 'Queensrÿche' firmly lays down their progressive direction, that would be fully explored over the next few albums. Although I prefer the faster more mainstream approach of their debut E.P., this is a very well constructed album that continues to display the amazing vocal ranges of 'Geoff Tate' and the skilled fret work of 'Chris DeGarmo'.

The title track open the show, and although it displays some impressive vocal work, it doesn't really excite me, I find it a bit pedestrian with its lack of tempo variation, maybe this isn't assisted by the albums average production but the general consensus is this is a classic 'Queensrÿche' track- what do I know?. Better in my opinion is the swift, chugger 'En Force', which opens up with an atmospheric intro and builds into a strong 'Priest' style rocker, the guitaring is a lot stronger than on 'Warning' and although the backing vocals chanting "Enforcer" sounds a bit quirky, the song writing is very strong. Continuing in solid form is the sword and sorcery driven 'Deliverance', where fine fret work meet strong vocals and powerful choruses for an entertaining romp. The tempo drops a notch for the poignant ballad 'No Sanctuary', a track where 'Geoff Tate' shines, as he delivers the lyrics with both passion and commitment, the background vocals are also a nice touch, but overall it doesn't inspire me as much as the similarly constructed 'The Lady Wore Black'. The real progressive side of 'Queensryche' is exhibited on the futuristic 'NM 156', the "computer" style voice in the intro and outro are a bit lame, but the driving rhythm work and galloping guitars really enhance this oddity. The second half opens with one of the albums most memorable tracks 'Take Hold of the Flame', a masterfully written and performed number which sees exquisitely sung slower passages contrasting riff filled excerpts and powerful anthemic choruses. A 'Maidenesque' intro leads into the strong galloper 'Before the Storm', another track which displays fine strafing axe work and interesting backing vocal chants. A heavy bass line opens the plodder 'Child of Fire', another excellently penned track, again featuring a heavy 'Maiden' influence, with rolling rhythm work and tempo drop for heavy vocal passages that overall make for an enjoyable journey. The album closes with the epic 'Roads of Madness', a magnificently penned number, which see 'Geoff Tate' singing with incredible passion and power for a brilliantly executed classic.

Don't be put off by the appalling album cover, this is an accomplished piece of work for a full debut and although their next release is disappointing it all comes good on the legendary concept album 'Operation Mindcrime'.