I pretty much forgot about 'L.A. Guns' after 'Cocked and Loaded', their inconsistency and multiple lineup changes putting me off. I heard good things about this release though, so gave it a try, a smart move it was to. 'The Gun's' have returned to their roots and produced a crunching set of tunes. The lineup is near to the original with 'Tracii Guns' as always supplying the guitars, 'Phil Lewis' on vocals and former 'W.A.S.P.' man 'Steve Riley' takes care of the drums. The only change since 'Man on the Moon' is the introduction of impressive bassist 'Adam Hamilton', who lays down some mean bass line throughout. One slight drawback to this release are the vocals, 'Phil Lewis' doesn't possess a great range and the gloomy production while fitting for the songs, doesn't enhance his voice, but this is only a minor quibble.

The album starts off in solid fashion with the biting 'Don't Look at me that Way', a crunchy rocker which highlights some flair guitaring, supported by strong drum and bass work. 'Ok lets Roll' is a tribute to September 11th, and surprisingly supports a fast paced traditional 'L.A. Guns' style, both written and performed uncompromisingly. Next up is the title track and while it's a bit too modern and trashy for my liking, it's still a solid number which emphasises some thumping axe work courtesy of 'Tracii Guns' and 'Adam Hamilton'. 'Revolution' is a complete contrast, a good old fashion feel-good rocker filled with delightful hooks, harmonies and great melody, Ok lyrically it's no masterpiece, but I'll be singing along - they should release this as a single!. Following on is 'The Ballad', the albums only slow tempo effort and though its sports a class guitar solo and nicely written verses, I'd rather them stick to the rockers. The most experimental song is 'Frequency', a number that incorporates both 'rap' and 'prog' influences, it's not all bad news though, it does have a certain 'Aerosmith' 'Walk this Way' feel about it. The 'Punk' / 'Motörhead' sounding 'Psychopathic Eyes' shows another dimension of 'L.A. Guns' and they execute it remarkable well, the vocals are lacking a bit but the shredding guitars make it a worthy number. Its back to the old school with the belting 'Hellraiser's Ball', another rigorous thumper, supplying a neck wrenching rhythm and lyrics that are made for 'Phil Lewis's' gruff voice. A new classic is found in 'Lost in the City of Angels' another late 80's sounding gem, which is just oh so catchy, the rhythm work is pulsing and sweet, the guitars are crisp and although the lyrics are a tad repetitive it works really well and makes for my pick of the disc. 'Don't you Cry' closes the album in solid fashion, with its spirited vocals, tasty hooks and great harmonies.

With the exception of a couple of unfocused tracks and not managing to exceed the 40 minute mark, this is a solid album and its good to see bands like 'L.A. Guns' still cutting great discs like this. I really hope they manage to keep the same lineup and use this release a springboard for more great metal releases.