'Mat Sinner' and the boys, really start upping the tempo with 'Judgement Day', gone are the Hair Metal tinged NWOBHM days, by this stage of their career they are almost into Power Metal territory, not quite to the degree of say 'Primal Fear', but more inline with uncompromising latter day 'Saxon'. 'Mat Sinner' works the material pretty well and his vocals continues to improve with each album, on this release however there is plenty of backing vocal support, including the amazing talents of 'Ralf Scheepers'.

The short guitar driven instrumental 'Smoke & Mirror' sets the tone for the whole album, uncompromising, skilled and impressive. Following on seamlessly is the first full track 'Used to the Truth' a rugged rocker that's a tad reminiscent of 'Primal Fear', the biggest highlight for me is the technical fret work of 'Tom Naumann' and 'Alex Beyroot', who lay down some glorious hooks and solos while 'Mat Sinner' adds the finishing touches with his robust vocals. Next up is the excellent grooving 'Troublemaker', a rhythm fuelled gem, that while lyrically simplistic is catchy, powerful and ultimately one of many album highlights. Not quite as focused is the brisk rocker 'White Lightning', which for me doesn't quite come off, sure the guitaring and drum and bass work is sound, but the lyrics and vocals don't work in my opinion. The mid paced epic title track follows and to my ear is very reminiscent of 'Saxon', that said the first half is a little lacklustre, however the strong instrumental break does livens things up, all told still not one of the better tracks present though. The tempo is lifted for the hard rocking 'Jump the Gun', a simplistic yet brisk affair, while 'Streets of Sin' is a delightful yet powerful track, once it gets past the awkward intro. Better still is the grooving ripper 'Pray for Mercy' a sweetly penned cut, that ebbs and flows superbly, 'Mat Sinner's' slightly nastier vocals work especially well and he's supported by steadfast fret and rhythm work. The more accessible 'Blue Tattoo' ensues in accomplished form, as 'Mat' and Co. concoct a catchy riff rolling rocker, which contrasts lighter axe work with harder choruses for your listening pleasure. Superior still is the AC/DC inspired 'School of Hard Knocks' a heavy head swaying jewel, which sports a sublime chorus, that's further enhanced by 'Ralf Scheepers' magnificent backing vocals- Top track. The more simplistic 'Deathwalker' succeeds strongly and despite some trite lyrics, the guitar work is sharp and effective, making this yet another quality rocker. Last up is 'The Fugitive' and this is a bit of a let down for the final track, the instrumentation is as cutting as always, but lyrically it's a little dull and overall just lacks that extra something.

Two bonus tracks are included with 2000 re-release, the first is the previously unreleased 'The River Runs Dry', a pretty poor ballad, that doesn't suit 'Mat Sinner's' vocals and all told, a fairly duff song. Much better is the harder edged 'Had Enough', a pulsating rocker, that flows nicely and comes complete with catchy lyrics and plenty of enthusiasm.

An ultra solid album, from an ultra solid group! enough said.