Second album in for 'Grim Reaper' and it's more of the same from these over-the-top UK NWOBHM / Power Metallers. Although 'Fear No Evil' perhaps lacks the cult status of the debut, I would say it's at least on-a-par if not superior to the debut, mainly thanks to more controlled performances and an overall improved production. The revolving door that is the bands drumming slot, is filled by 'Lee Harris' replacing 'Adrian Jacques', although he's only onboard for this release.
In time honoured fashion the title track opens and it's your typical big chorus rocker 'Reaper' style, lyrically it's all pretty blatant, but if you can get past that it's a good hearty affair, 'Steve Grimmett' gives its plenty and is well supported especially by guitarist 'Nick Bowcott'. More reminiscent of your trademark NWOBHM sound is 'Never Coming Back', the fret filled intro is very nicely executed, but the rest of the track despite being solid fails to live up to this. Better still is the grooving 'Lord of Darkness' which ebbs and flows with conviction, 'Grimmett' delivers powerfully throughout, while the track also benefits from a fine instrumental break. More quality ensues with 'Matter of Time', a good lively rocker, that's nicely worked with some subtle but effective tempo changes, while the hypnotic siren effect compliments 'Nick Bowcott's' splendid solo. The more American influenced 'Rock & Roll Tonight' ensues and although not one of my highlights, as it seems a little out of place, is still a decent affair albeit far too repetitive. Back on track is the sublime 'Dioesque' 'Let the Thunder Roar,' a quality brisk paced ripper, that while fairly simplistic is upheld by fine riff and rhythm work and more soaring 'Grimmett' vocals. The fine run continues with the less frenzied but equality superb 'Lay it On the Line', a catchy, chorus driven hard rocker, whilst the energetic 'Fight for the Last' is a short simplistic driven cut that certainly hits the right spots. 'Fear No Evil' bows out with 'Final Scream', which opens with a pseudo horror film piss-take- I could have lived without this, when the track finally gets going it doesn't disappoint, more melodic than you might expect, with softer vocals from 'Steve Grimmett' and overall a fine ending to the album.
Very strong follow-up to 'See You in Hell', that's just as heavy as the debut, but blessed with a superior production- If you like early 80's Metal add this to your collection you won't be disappointed.